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Film negative conversion, done as a first-class edit

Color negative, black & white negative and E-6 slide film converted inside the same pipeline as your RAW files — real film science, not a generic invert filter.

Film negative conversion, done as a first-class edit

C-41, B&W & E-6

Color negative, black & white negative, and color slide film.

Automatic detection

Finds the film frame and detects the process automatically.

Film stock presets

Portra, Ektar, Gold, HP5, Tri-X, Provia, Velvia.

Real film science

Proper density-space inversion, per-channel level matching to remove the orange base mask, a paper-grade tone curve (Grade 0–5), and highlight roll-off tuned against blown or color-shifted speculars.

Automatic carrier/frame detection

Finds the actual film area inside the scan and ignores the dark holder or light box edges, so density metering stays accurate.

Automatic process detection

Is this C-41, E-6 or B&W? A one-click auto-balance flow, plus manual eyedropper controls for film base, black point and white point.

Built for real scan files

Full 16-bit TIFF support — most off-the-shelf tools can’t read TIFF at all, or silently downgrade it to 8-bit.

Film stock presets are hand-tuned by eye, not sensitometrically calibrated — we’d rather say so than oversell it. Film negative conversion is part of the Pro tier.

Try this in pxlmonk

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